ComedyEd Fringe 2026

Stacie Burrows: She Told You She Loved You Without Saying a Word

Stacie Burrows has been on stage roughly as long as she has been alive. Her first credit was Old MacDonald Had a Farm at preschool. She played the black sheep, which she considers telling. Since then: theatre, improv, sketch, standup, musical comedy, solo theatre and storytelling. Her roots are in standup, in New York in the nineties. She spent about ten years in a comedy band called Mommy…
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ComedyEd Fringe 2026

Sevrin Willinder: A Postman Who Is Bad at His Job

Sevrin Willinder is a clown, and somebody else told him so first. He was playing a piano repairman in a dramatic scene at drama school. His mentor told him to play something well, then act as though it sounded terrible. He did, the room laughed, and he did not understand…
ComedyEd Fringe 2026

The Emperor Doesn't Have Clothes On: An Interview With Stacy Price

Stacy Price has been at this for at least fifteen years. She trained at Circle in the Square in New York and did plays there. Then came Los Angeles, the Groundlings, and open mics around town. She is now a member of the Actors Gang, where Tim Robbins is artistic director. Her SAG-AFTRA card came from HBO’s The Deuce. She did not sit down one day and decide to write a one-person show. Citizen…
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ComedyEd Fringe 2026

Liz Coin Has A Certain Les Miserables Underneath Her Funny Play

Liz Coin grew up in Iowa and now works out of New York. Her first stage role was Drake the butler, at eleven. It was a community theatre production of Annie. The lead forgot his lines and kept calling for champagne. Coin walked on with two trays and improvised the rest. The room came apart, and she drew a conclusion she still uses. Lizzy Sunshine is her Fringe hour, and it contains almost…
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ComedyEd Fringe 2026

Americans Might in Fact Be the Worst: Meet American Assholes

American Assholes is three American comics on one Edinburgh bill. Danielle Slaughter, Lauren LoGiudice and Wayne Charles II share it. The show opens with a trio segment under that title. Then each of them performs an individual standup set. The through-line is identity politics, dissected from three directions. The working premise is that Americans might in fact be the worst. They did not assemble…
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