Hop For Pop
Press Kit
Stand-up · One-liners · Clown
CeeKay Brown
A one-liner comic who did 180 shows in her first year and 260 in her second — then took a head injury in a car crash and had to learn her own jokes again.
Works in
Stand-up · Roast battle · Clown · Theatre
Known for
One-liners, and a solo hour written as a tribute to her grandmother
Trained in
Shakespeare · Ballet · Choir · Pantomime · Clowning · Improv · Musical theatre
Started
October 2022 — four years in
Interview
67 min · Hop For Pop · 2026
“Even if I’m having a bad day and I’m super tired, I can just say my jokes. I don’t even have to think about it.”
CeeKay Brown — Hop For Pop
Ready-to-use copy
Biography
247 words — lift as-is, no rewriting required
CeeKay Brown is a one-liner comic turning into a storytelling one. She did her first five minutes in Brussels in October 2022 — a story about the day she was born, no punchlines, but a full room — and walked off knowing she could do better. She started properly in April 2023, and then worked at a pace that explains the rest: 180 shows in her first year of comedy, 260 in her second.
She is classically trained, and unusually broad with it: Shakespeare, theatre, pantomime, ballet, choir, musical theatre, clowning and improv. Her argument is that if you love an art form you should try every part of it, which is why she has also directed, worked backstage, and entered roast battles despite insulting people not coming naturally — she has lost three, each time for not being harsh enough.
On 13 March, two days after her birthday dinner, she crashed her car. She passed out three times, could not recall her own name or date of birth, and turned down the helicopter. The injury was to her head, which is the one place a stand-up cannot afford it: for two weeks light hurt, a ticking clock sounded like screaming, and she had forgotten most of her own material. She was back on stage two weeks later holding notes for the first time in years, had a panic attack on stage in April, and still wears earplugs most of the day. Her ears ring every night.
The part other press kits leave out
What you should know before you book her
CeeKay Brown is four years in and has already done more stage time than comics twice her vintage. She is precise about why her act is built the way it is — and candid about what changed after the crash.
One-liners are the load-bearing wall
She opens on them deliberately, to teach a room what a joke of hers sounds like before she asks it to follow a story. She calls establishing that rhythm a thing less experienced comics forget.
Self-deprecation first, on purpose
Learned from Phyllis Diller and Joan Rivers. As she puts it, she needs to establish early that she does not take herself seriously — it gets an audience on side fast.
Two gears, and both work
Her natural persona is loud and high-energy, angry-but-excited. Since the crash she can also play it completely deadpan, because one-liners land without the energy behind them.
Roast battle as a training exercise
She loses when she is not harsh enough, and treats insult writing as a muscle. Her rule for a good roast: mean without being hurtful, and surprising above all.
She still does open mics
Four years in and with a manager, she keeps testing material rather than coasting — and is deliberate about not letting her social media outgrow where she actually is as a comic.
Hearing protection is a working requirement
She wears earplugs off stage all day and removes them to perform. Worth knowing for green-room and sound-check logistics; the first minute on a loud stage is the hardest.
For press · cleared for use with attribution
Quotable
01
“In my first year of comedy, I did 180 shows. In my second year of comedy, I did 260.”02
“Insulting people doesn’t come naturally to me, so it’s a muscle I have to train.”03
“The reason I’ve lost three battles is that I wasn’t harsh enough. In the ones I won, I was mean without being hurtful.”04
“The key to a good roast is that you’re shining light on the true aspects of that person that they can’t see.”05
“If you’re going to be a comic, you can’t judge. It’s still part of the performing discipline that we do.”06
“I went on stage and told a funny story for five minutes. There were no punchlines — but I could feel I could do better.”07
“I start my set with one-liners because it gets the audience prepared for what a joke sounds like.”08
“Establishing to the audience what a good setup and punchline sounds like is really important for the rhythm of the whole show.”09
“I’m still working on becoming the final boss version of myself.”10
“I don’t want my social media presence to be bigger than where I am as a comic.”11
“Phyllis Diller and Joan Rivers both did a huge amount of one-liners making fun of themselves.”12
“Making fun of myself is much more important, because I need to establish that I’m not arrogant.”13
“Going on stage was like having fireworks go off constantly.”14
“It was like a super loud ambulance and forgetting your sunglasses, at the same time, all the time.”15
“Even if I’m having a bad day and I’m super tired, I can just say my jokes. I don’t even have to think about it.”16
“At the end of every day, since the accident, my ears ring. Without fail.”17
“If you post too much crowd work, audiences will start to think that’s what stand-up is.”18
“I love the rhythm of a comedy club set — joke, joke, joke — but it will have narrative.”
Attribution: CeeKay Brown, speaking to Hop For Pop, 2026.
Career
Selected credits
Live
- Solo hour — a tribute to her grandmother; currently touring, being retitled and restructured ahead of a full Edinburgh Fringe debut with a director attached
- Edinburgh Fringe 2026 — including a clown set at Monkey Barrel
- Roast battle circuit — three or four wins
- Club touring in the UK and the United States
Training & other work
- Shakespeare, theatre, pantomime, musical theatre, ballet and choir
- Clowning and improv
- Has directed plays and worked backstage
Representation
Managed. Began stand-up in Brussels in October 2022 and started taking it seriously in April 2023.
This kit was produced by Hop For Pop. The interview and quotes are drawn from Hop For Pop × CeeKay Brown, recorded 2026. CeeKay Brown and their representatives are free to use any part of this document — the biography, the quotes — for booking, press and promotion, with credit to Hop For Pop for the interview material.
Hop For Pop shines a light on stand-up artists and spreads comedy across the world. Follow at instagram.com/hopforpop.
Message us at instagram.com/hopforpop to get your interview and press kit with us.
See our Instagram post about this interview. Follow Hop For Pop on Instagram at @hopforpop and @thecomicsunseen.